The basis of the artwork is an overpainted museum shop merchandising of Vincent van Gogh's Sunflowers. It is a multilayered composition in which figure and ground seem to continually shift between the analog painting and its digital counterpart. The work involves a direct clash between what appears on the surface and an implicit meaning when the visual dimension is accompanied by a knowledge of the subject (a Sunflowers Greeting Card by the National Gallery’s Museum Shop). The borders between advertising and fine arts blur and image becomes a commercial brand name.